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From: weeteeth |
Date: July 25th, 2008 09:30 am (UTC) |
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He Only Directer The 1st RoboCop
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I really like some of the satirical elements of RoboCop and Starship Troopers (which is more to the writers credit), back before 'satire' was everywhere you turn. And Basic Instinct is no doubt a milestone in the Michael-Douglas-sex-crime-thriller genre (a genre that needs to be wiped off the face of the Earth!). Showgirl is campy, at best (Kyle McLachlan! Why? And is it just me, or does its NC-17 rating seem a little astonishing now?). I'm intrested to see his Dutch output, to see if he panders so overtly to the same sex and violence (oh yes, and some sci-fi) crowd.
I've seen his output from '87-'97 (sorry to say), and thinking about it now, all the performances he gets from his actors seems, I don't know...really stiff or something (like, even when it's not suppose to be-- a'la Alex Murphy); don't know what that's about (its very '80?). But whatever...I guess I can sit through Total Recall drunk on a Tuesday night and have a bit of a laugh...if I don't have anything better to do.
One can only hope his upcoming film The Paperboy is a live-action version of the arcade game. Please please please be a two hour, real time, cabinet perspective of a kid on a bike! ::crosses fingers::
I can't believe I had that much to say about the subject.
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From: bad_juice |
Date: July 25th, 2008 12:45 pm (UTC) |
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I think Verhoeven's greatness may be gone now that Hollywood makes different movies
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Working within the crazy '80s-'90s Hollywood system is really what made him come into his own.
His Dutch work is really not so great to me. They're slower, longer and more real. They do not exist in the same fantastical nightmare world that his later stuff does.
Just based on my dumb, uninformed opinion, my Hitchcock analogy is not accidental. I think he is the best overtly visual storyteller film has given us since Hitch. Like Hitchcock, his movies(especially Showgirls) can be watched without sound and still be perfectly understood. All the information is given visually and the dialogue is mostly just kind of redundant.
I could talk individually about all his movies, as I've seen most of them several times, but it is early. And I'm hungover.
You're right about Showgirls being depressing, of course, but what else could it be? It's never really been Verhoeven's nature to celebrate humanity. The "happy" endings of Robocop and Total Recall are the exceptions, not the rule. But there's a boldness and humor to his so-called misanthropy that's way more interesting than the hipster nihilism of, let's say, just about any horror movie made in the last 4 years.
I think it helps to think of his movies not taking place in the real world. To me he is a better David Lynch, utilizing the ideas of fantasy and nightmares much less overtly. His worlds are modern-day Grimm Fairy Tales.
He's my favorite director.
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